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Revolúcia na londýnskom veľtrhu umenia: Jedinečné podujatie bez obchodníkov a umelcov

by miroslavar June 1, 2024

written by miroslavar

Úvod do revolúcie londýnskeho veľtrhu umenia

Na trhu s umením, ktorý je často definovaný prítomnosťou obchodníkov s umením a umelcov, inicioval Londýn odvážny odklon od tradície. S príchodom londýnskeho veľtrhu umenia v roku 2024 mesto zhodí svoju konvenčnú kožu a ponúkne zážitok zbavený jeho štandardných účastníkov. Tento odvážny experiment, na ktorý 31. mája 2024 upozornili noviny The Art Newspaper, slúži ako fascinujúca prípadová štúdia vyvíjajúcej sa dynamiky prezentácie a spotreby umenia.

Historický kontext veľtrhov umenia

Veľtrhy umenia tradične slúžia ako kľúčové platformy pre interakciu medzi umelcami, obchodníkmi, zberateľmi a nadšencami umenia. Tieto podujatia poskytujú umelcom rozhodujúce možnosti prezentácie a nadväzovania kontaktov, zatiaľ čo obchodníci pôsobia ako sprostredkovatelia, ktorí uľahčujú predaj a propagujú umelecké diela. Absencia týchto kľúčových hráčov na londýnskom veľtrhu umenia znamená radikálnu zmenu, ktorá vyvoláva otázky, ako sa oceňuje umenie a ako funguje trh v súčasnej dobe.

Inovatívna koncepcia

Londýnsky veľtrh umenia nahrádza tradičných vystavovateľov a predstavuje galérie, ktoré prezentujú vopred pripravené výstavy so zameraním na zapojenie publika, a nie na okamžitý predaj. Cieľom tohto prístupu je zbaviť sa komerčnej vrstvy a podporiť hlbšiu, introspektívnejšiu interakciu s umením.

Fascinujúcim aspektom je premena veľtrhu na vzdelávacie centrum. Do popredia sa dostávajú workshopy, panely a interaktívne stretnutia, ktoré zdôrazňujú diskusie o dejinách umenia, kritike a budúcnosti umenia v digitálnom veku. Podporuje to prostredie, v ktorom sa vzdelávanie a oceňovanie uprednostňuje pred predajnými transakciami.

Zaujímavosti: Dôraz na interakciu a vzdelávanie

Medzi rôznymi prvkami, ktoré podčiarkovali tohtoročný londýnsky veľtrh umenia, vyniklo niekoľko:

– **Interaktívne inštalácie:** Návštevníci sa môžu ponoriť do zážitkov rozšírenej reality a interaktívnych umeleckých inštalácií, ktoré spájajú technológiu a kreativitu a vyzývajú k účasti namiesto pasívneho pozorovania.

– **Panelové diskusie a workshopy:** Za účasti renomovaných historikov umenia, kritikov a kurátorov sa diskusie venujú naliehavým témam, ako je vplyv digitálnych technológií na tradičné formy umenia, úloha umenia v sociálnom aktivizme a vyvíjajúce sa definície umeleckej hodnoty.

– **Speciálne výstavy:** Kurátorské výstavy upozorňujú na nedostatočne zastúpených umelcov a inovatívne formy umenia, od digitálneho umenia až po experimentálne sochárstvo. Tento inkluzívny prístup rozširuje rozsah a dosah veľtrhu a poskytuje platformu pre rôzne hlasy.

Reflexia posunu

Rozhodnutie londýnskeho veľtrhu umenia vylúčiť tradičných predajcov a umelcov je revolučné a podnetné na zamyslenie. Zmenou konvenčného modelu veľtrh vyzýva účastníkov, aby prehodnotili svoje úlohy a účel veľtrhov umenia.

Pre nadšencov a profesionálov v oblasti umenia ponúka tento formát osviežujúcu zmenu a zameriava sa na intelektuálnu angažovanosť a ocenenie pred komerčnými transakciami. Taktiež spochybňuje systém hodnôt, ktorý je vlastný trhu s umením, a odkláňa sa od často kritizovanej komodifikácie umenia.

Z hľadiska vzdelávania je neoceniteľný dôraz na vzdelávanie a kritickú diskusiu. Vďaka nemu sa veľtrh stáva miestom, kde si možno nielen pozrieť umenie, ale aj získať hlbší prehľad o nespočetných faktoroch ovplyvňujúcich súčasnú umeleckú prax.

Záver: Budúcnosť veľtrhov umenia

Londýnsky veľtrh umenia predstavuje precedens, ktorý by mohol ovplyvniť budúce opakovania veľtrhov umenia na celom svete. Hoci je ešte príliš skoro predpovedať dlhodobý vplyv tohto experimentu, nepochybne vyvoláva dôležité rozhovory o vývoji sveta umenia. Či sa tento model prevezme aj inde, alebo bude katalyzátorom hybridných prístupov, sa ešte len uvidí.

Celkovo možno povedať, že londýnsky veľtrh umenia, zbavený tradičných obchodníkov a umelcov, predznamenáva novú éru oceňovania umenia a interakcie. Uprednostňuje vzdelávanie a angažovanosť, čím podporuje komunitu informovaných a vášnivých milovníkov umenia.

June 1, 2024 0 comment

Rare Rubens Painting, Saint Sebastian Tended By Two Angels, to be Auctioned at Sotheby’s

by miroslavar June 20, 2023

written by miroslavar

Sotheby’s, the renowned auction house, has announced that the painting “Saint Sebastian Tended By Two Angels” by Flemish master Sir Peter Paul Rubens will be going to auction in London in early July. With a high estimate of $7.7 million, this auction marks the first time the painting has been presented for sale since its attribution to Rubens was confirmed

The Journey of a Misattributed Masterpiece:
In 2008, the painting was mistakenly attributed to French artist Laurent de la Hyre and sold for a mere $40,000 at Ivey-Selkirk, a St. Louis auction house, according to Artnet News. However, this sale brought significant attention to the artwork, leading scholars to reevaluate its origins. It was subsequently identified as a lost work by Rubens, elevating its status and importance in the art world.

Unveiling the Original: A Tale of Two Paintings:
For centuries, the painting was believed to be a copy of Rubens’ “Saint Sebastian Tended By Angels,” housed at the Galleria Corsini in Rome. However, a groundbreaking exhibition in Stuttgart, Germany, in 2021 showcased both paintings side-by-side. Scholars concluded that the once-misidentified painting was, in fact, the original work by Rubens, while the Corsini painting was a copy.

Recognizing Quality and Provenance:
Sotheby’s highlighted the expertise of art historian and Flemish art specialist Anna Orlando, who played a significant role in establishing the provenance of the artwork. In their description of the painting, the auction house quoted Orlando, stating, “The very useful direct comparison [between the two paintings] on the occasion of the exhibition in Stuttgart in 2021 would seem to reveal the higher quality of the work in private hands.” Further analysis using x-rays confirmed the scholars’ assessment.

The Enigmatic History of the Painting:
Scholars believe that the painting was originally commissioned by Ambrogio Spinola, a prominent Genoese nobleman and military commander in the late 1600s. The Spinola family, known as one of the primary dynasties of the Republic of Genoa, kept the painting within their lineage for an extended period. However, the artwork eventually passed to a Spinola heir who had no male successors, leading to its transmission through the female line of descent. Consequently, tracing the painting’s ownership becomes challenging during the 230-year gap in its history.

Rediscovery and Auction Appearance:
After resurfacing in Missouri in 1963, the painting made its first appearance at an auction in 2008. Now, it is set to captivate art enthusiasts once again as it returns to the auction scene at Sotheby’s in London.

Conclusion:
The upcoming auction of Rubens’ masterpiece, “Saint Sebastian Tended By Two Angels,” at Sotheby’s promises to be a significant event in the art world. With its corrected attribution and exceptional quality, the painting carries a rich history and captivating provenance. As collectors and enthusiasts await the auction in anticipation, the artwork’s estimated value of $7.7 million reflects the recognition and appreciation of Rubens’ artistic brilliance.

June 20, 2023 0 comment

Event Exhibition

Olga Tobreluts The exhibition “0x The Garden” in Dubai

by miroslavar May 24, 2023

written by miroslavar

The exhibition “0x The Garden” presents a collection of works by Olga Tobreluts, a contemporary artist known for her fantastical representations of flowers. The exhibit features a range of mediums, including lenticular prints, classical paintings, and digital art. Tobreluts’ paintings are filled with intricate floral arrangements that evoke a sense of wonder and mystery. Each detail of the pieces invites viewers to make connections between the colors and shapes of the blooms, encouraging them to contemplate the beauty and complexity of nature.

Tobreluts’ work has been shown in prestigious institutions such as the Tate Modern and V&A Museum in London, the MoMA in New York, and the State Russian Museum in St. Petersburg. Her practice is rooted in a desire to challenge traditional notions of representation and to explore the limits of what is possible in art. By incorporating elements of surrealism and abstraction into her work, Tobreluts creates immersive environments that invite viewers to enter into a dreamlike state of mind.

The exhibition is accompanied by a series of events and workshops designed to engage audiences in a deeper exploration of the themes and techniques presented in the show. Organized by Erma Gallery, a contemporary art space dedicated to promoting innovative and experimental forms of expression, “0x The Garden” is part of a larger initiative to foster dialogue and exchange among artists, critics, and members of the public. With upcoming locations in Lugano and Hong Kong, Erma Gallery aims to create a global network of cultural hubs where artists can showcase their work and engage with diverse communities of enthusiasts and scholars.

Olga Tobreluts is a prominent contemporary artist who works across several mediums, including photography, video, painting, and sculpture. She was born in Saint Petersburg, Russia, in 1970 and currently lives and works in Budapest. Tobreluts is recognized as a pioneer of the digital art movement in Russia and her work is influenced by Neo-Academism.

Her masterful use of technique involves highly defined lines, vivid colors, and advanced digital technologies to draw attention to the multifaceted nature of simple motifs. Tobreluts’ work has been exhibited in numerous museums and galleries worldwide, including the Tate Modern in London, the Museum of Modern Art in New York, the State Russian Museum in St. Petersburg, the Museum of Contemporary Art and the Museum of Modern Art in Moscow, the Museum of Contemporary Art in Oostende, and the Moderna Museet in Stockholm, among others.

Notable art institutions have acquired her works, including the MoMA in New York, the State Russian Museum, the Ludwig Museum in Budapest, the Bornholm Museum of Contemporary Art in Denmark, the Groningen Museum in the Netherlands, the Ibsen Foundation in Oslo, the Germany Women Art Museum in Bonn, and the V&A Museum in London. In addition, Tobreluts participated in the 58th Venice Biennale.

May 24, 2023 0 comment

Event

Medea tragic heroine of Greek mythology, subject of an international contemporary art exhibition

by miroslavar May 24, 2023

written by miroslavar

Medea, the tragic heroine of Greek mythology, has been the subject of an international contemporary art exhibition curated by renowned art critic Demetrio Paparoni. The exhibition was hosted in the historic Loggia of the Ancient Market of Siracusa, Sicily, from May 5 to September 30, 2023. The event was organized by the Municipal Administration of Siracusa and produced by Aditus.

The exhibition included works by 17 artists from various regions around the world, including Northern Europe, China, the Caucasus, and South-East Asia. These artists explored the complex character of Medea, whose story continues to resonate with audiences today. Through their work, they revealed the depth and richness of the classical tragedy that inspired them.

In addition to the exhibition, the Greek play “Medea” was performed at the nearby Greek Theatre. Directed by Federico Tiezzi, this production brought the timeless tale to life once again. The performance ran from June 29 to July 2, 2023.

To accompany the exhibition, a catalogue was published by Skira, one of Europe’s leading art publishers. The catalogue featured essays by Demetrio Paparoni, Roberto Alajmo, Tiziano Scarpa, and the artists themselves. It also included an extensive iconographic repertoire of past works centered on the myth of Medea, featuring images by Artemisia Gentileschi, Peter Paul Rubens, Charles André van Loo, Eugène Delacroix, Anselm Feuerbach, William Russell Flint, George Romney, Frederick Sandys, Johann Heinrich Füssli, Gustave Moreau, William Turner, Christian Wilhelm Ernest Dietrich, John William Waterhouse, and Paul Cézanne.

Overall, the exhibition and catalogue provided a unique opportunity to explore the enduring legacy of Medea and her impact on the human experience. They showcased the power of art to connect us to our cultural heritage while also inspiring new creations.

May 24, 2023 0 comment